• thing_from_another_world_poster_02

    The term Intellectual Yet Idiot (IYI) was first coined by Nassim Nicholas Talebis. He defines an IYI as “paternalistic semi-intellectual experts with some Ivy league, Oxford-Cambridge, or similar label-driven education who are telling the rest of us… what to do… how to think…”

    An IYI is highly educated and intelligent. Because of his academic learning, he will often reject the viewpoints of the common man. The chief character flaw of an IYI is hubris: “excessive pride or overconfidence, which drives a person to overstep limits in a way that leads to their downfall.” When an intellectual has hubris, he can become an idiot.

    In Christian Nyby’s The Thing From Another World (1951) Dr. Arthur Carrington (Robert Cornthwaite) is an Intellectual Yet Idiot. He doesn’t want the Thing to be destroyed, even after it murders people. Instead, he believes the alien can be reasoned with because of its superior knowledge.

    Carrington is an intelligent man. A Nobel prize winner, one of his character flaws is an obsession with knowledge. He says, “knowledge is more important than life.” He doesn’t want the Thing to be destroyed because its knowledge would benefit mankind. He doesn’t tell the captain that the Thing was in the greenhouse, which results in two men being murdered. Carrington’s obsession with knowledge has given him poor judgment.  

    Unlike the other characters in the film, Carrington never laughs or tells a joke. He takes himself very seriously. He is confident in everything he says and never regrets his choices. Carrington is a proud man, and his pride makes him overconfident.

    When a person is proud and overconfident, they believe they are always right. Carrington is blind to the obvious: the Thing is an evil monster that cannot be reasoned with. Although he says the Thing only regards humans as important for food, he denies the creature has come to conquer Earth. He believes the Thing is a victim who only acts in self-defence. Carrington is an idiot because he doesn’t believe an alien with advanced technology could be evil.

    When an idiot is overconfident in a belief, they often act upon it. In the climax of the film, Carrington’s belief about the Thing is put to the test when he tries to become its friend. Soon after, the creature strikes him down, breaking his collarbone. If a man has hubris, he can only overcome it through failure. Carrington’s beliefs about the Thing are proven wrong through his experience. He survives his injury, and he may have learned some degree of humility as a result.

  • In Mignon Eberhart’s 1949 novel, House of Storm, the female heroine is Nonie Hovenden, a young woman who has inherited great wealth.

    Unlike most female heroines in the romantic suspense genre, Nonie is not a beautiful woman. The narrator says she has an “ordinary face” (13). Roy, her fiancé, and Jim both say they love her. Her average appearance creates an active question in novel: Do the two men love her for who she is as a person, or do they want her money?

    In romantic suspense, the female heroine is often afraid. After Hermoine is murdered, Nonie tells Jim, “I’m so frightened” (55). Walking by a hedge, and sensing someone on the other side of it, she returns to the house, and her hands were trembling (86). When she finds the body of Seabury Jenkins, she had “a white face and frightened eyes” (116). It is a normal human reaction to experience fear when we are in danger. The female heroine’s fear can increase reader identification. If her life is in danger, the reader may also experience fear or anxious concern.  

    Nonie’s fear increases her love for Jim. After she “had a scare”, Jim’s presence is like a “fortress” and “she questioned her instinctive fear” (99). Being with Jim causes Nonie’s fear to diminish. In romantic suspense, the female heroine turns to the man she loves for strength and protection. Unable to defend herself, Nonie feels safe with Jim.  

    Nonie learns how to control her fear. Fearing the murderer is in the house with her, “she began to reason with herself” (148). Nonie controls her fear by thinking logically and concludes “no one was there” (149). This is a turning point in the novel, an experience that will help Nonie when the murderer threatens to kill Jim.

    In the climax of the novel, Nonie discovers that Roy is the murderer. He hides in an armoire and threatens to shoot Jim if Nonie reveals that he is there (163). Nonie must control her fear, and she reveals Roy’s presence with a glance at the armoire (170). Nonie doesn’t gain mastery over her fear, but she controls it enough to save Jim’s life.

    Like other heroines in the romantic suspense genre, Nonie has multiple experiences that terrify her, resulting in a change in her character. At the end of the novel, she has courage—the ability to act, despite feeling afraid.

    Works Cited

    Eberhart, Mignon G. House of Storm. Popular Library, 1964.