• Coincidence is defined as “the occurrence of events that happen at the same time by accident…” In Jacques Tourneur’s Cat People, there are three coincidences in the film. From a screenwriting perspective, these function in two ways: 1) to set the story in motion and 2) to setup later scenes, which will increase the conflict and raise the stakes.

    The first coincidence in the film is the inciting incident, when Irena (Simone Simon) and Oliver (Kent Smith) meet. Oliver throws garbage into a wastebasket but misses, and when Irena picks it up, he introduces himself. Their meeting is random; they both “just happen” to be there. This coincidence can be interpreted as fate, as if it were meant to be. However, the coincidence is by design. Being in the same place at the same time is necessary because if the two characters don’t meet, there is no story.

    Later in the film, two coincidental meetings result in greater conflict between the characters. After an argument with Irena, Oliver goes to his office, and the janitor “just happens” to be cleaning the doorway, so Oliver goes to a coffee shop instead. Later, Alice (Jane Randolph) leaves the office, and the janitor “just happens” to be there and mentions Oliver went to the coffee shop, so Alice goes there too. These two coincidences result in Oliver and Alice being in the wrong place at the wrong time. In an earlier scene, Irena suspected Oliver of being attracted to Alice, and when she sees them at the coffee shop, she becomes insanely jealous.

    Irena’s jealousy awakens the “cat woman” inside her, and she now wants to kill Alice. The coincidental meetings with the janitor cause the antagonist and protagonists to be in the same place at the same time, and the stakes are raised. If Alice hadn’t met the janitor by coincidence, her life would not be in danger.

    In Cat People, coincidences are necessary for the plot to unfold. The coincidence of Irena and Oliver meeting (the inciting incident) sets the story in motion. The coincidental meetings with the janitor result in a turning point, where Irena becomes the antagonist in the film. After the inciting incident, the coincidences make things more difficult for the protagonists, not easier. When coincidence leads to greater conflict between the characters and raises the stakes, the viewer is more engaged with the film.  

  • Alan Rudolph’s Welcome to L.A. is a multiplot film about sad and lonely people who are longing for intimacy. The main protagonist and supporting characters all feel empty inside. They drink and have sex to fill the void, but happiness eludes them. “Welcome” shows us two ways to be happy: 1) by doing something meaningful and 2) having a relationship based on love and commitment.

    The main protagonist, Carroll Barber (Keith Carradine), a songwriter, is unsatisfied with his life. He has a strained relationship with his father, Carl (Denver Pyle), and often drinks to numb his pain. In one scene, he turns to his empty liquor bottle and says, “I’m out.” Alcohol can’t fill the void in Carroll’s heart.

    Carroll tries to find happiness by having sex with multiple women. Women are attracted to Carroll because he is self-assured and doesn’t wear his emotions on his sleeve. But this is just a face he wears. Inside, he is just as lonely as the women he sleeps with. Carroll isn’t “in love” with the women he has sex with, and, consequently, he isn’t happy.

    Carroll and his father are both unwilling to commit to one woman. Nona Bruce (Lauren Hutton) is in a relationship with Carl, but she isn’t happy. She tells Carroll that his father is “messing around.” However, Nona knows what will make her happy. At the recording studio, she asks Carroll if he’s ready to make a commitment, and he replies, “Maybe.” In the following scene, Nona and Carroll are sitting in his car, and she is in tears. He isn’t willing to make a commitment to her either.

    Carroll and the other characters have uncommitted sexual relationships, but there is something missing in these relationships that will make them happy. After they have sex, they are only more aware of how unhappy they are. Having an affair or a one-night stand is a distraction from the emptiness they feel inside.

    Carroll tries to have an affair with Karen Hood (Geraldine Chaplin). In the climax of the film, he doesn’t have sex with her, and she reconciles with her husband. Seeing her joy, Carroll is happy for the first time. Karen has found the path to happiness: a relationship based on love and commitment.  

    Carl tried to make Carroll happy by hiring Eric Wood (Richard Baskin) to record an album based on Carroll’s lyrics. However, after recording several songs, Eric doesn’t finish the album because he doesn’t like the lyrics. Carl’s attempt to make his son happy has failed, but Carroll doesn’t need Eric to be fulfilled.

     The film ends with Carroll in the recording studio, singing one of his own songs. Although he has been rejected by a famous musician, he finds joy in making his own music. By taking control of his life, and doing something meaningful, he finds the path to happiness.