• In Phyllis A. Whitney’s 1968 novel, Hunter’s Green, the female protagonist is Eve North. The genre is romantic suspense, and the novel has a first-person narrator.

    Eve is a woman in peril who often experiences fear. After discovering someone stole a photo she took of the murderer, her body is “shivering” (121). Her reaction is normal; the murderer knows Eve could identify him, thus putting her life in danger. Eve’s fear heightens the suspense in the novel. With a first-person narrator, the reader’s connection to the protagonist is more intimate, and when she is in danger, this can heighten the reader’s emotional response.

    Similarly, after Dacia is struck by a car and nearly dies, Eve has a “trembling reaction” (173). Dacia was wearing Eve’s coat, and the murderer targeted her, believing it was Eve. Eve’s response is not female weakness given that the murderer wanted to kill her. Anyone—male or female—might have a similar reaction.

    Despite her fear, Eve can also be fearless. Seeing Marc steal Justin’s car, Eve doesn’t wait for a man to act. She gets in Marc’s car and pursues him, even though she believes he is the murderer (213). Eve acts because Justin needs the experimental car for his research. Her love for her husband gives her the strength to overcome fear.  

    In the climax of the novel, Eve experiences her greatest fear. Realizing that Nigel is the man in the photo, her hands were “clammy with fear” (216). Nigel reveals that he plans to kill Eve, and she experiences terror (220). Although she could die, Eve isn’t paralyzed by her fear. She puts her seatbelt on, an action that will help save her life.

    Eve’s life is ultimately saved by Justin. At gunpoint, Nigel forces Eve into the car (216), and he drives toward the quarry to end both their lives. However, Justin parks his car in the middle of the road, and Nigel crashes into it (221). Justin proves his love for Eve by risking his life to save her. As a woman in peril, Eve’s life is saved by the man she loves, a common plot motif in the romantic suspense genre. When the female protagonist is rescued, the male hero is rewarded with her love.

    Eve’s fear is a realistic response to being in a highly stressful situation. With her life in danger, she could have left England and returned to the United States, but she stays because she wants to reconcile with her husband. Eve tries to save her marriage despite her fear. She is an active female protagonist who shows courage.  

    Works Cited

    Whitney, Phyllis A. Hunter’s Green. Ballantine Books, 1983.

  • According to Stacey L. Hahn, in the plot motif of the knight errant and the royal maiden, “the maidens initiate the adventures, and the knights must undergo a series of tests to attain them.”1 Gareth Edward’s Monsters (2010) is a modern take on this plot motif. Andrew (Scoot McNairy) is the knight errant, while Sam (Whitney Able) is the royal maiden.

    Andrew is a knight in search of adventure. However, instead of slaying dragons, he photographs alien monsters. He reluctantly agrees to another adventure: escorting Sam, his boss’s daughter, from Mexico to the United States. Sam has fled to San Jose to reconsider her wedding engagement. She is with the wrong man, but Andrew will prove that he is the right man for her. 

    Sam is like a royal maiden because she is the daughter of a rich man and doesn’t have to work. Her injury from an alien attack initiates the adventure that she will share with Andrew. Sam also plays the role of a damsel in distress.

    As a knight, Andrew must undergo a series of tests to win the heart of the maiden. At first, he is an incompetent knight, losing their passports, but Sam finds a solution, selling her engagement ring. Although Andrew fails his first test, he is given another chance to prove himself. When the armed guards are killed by one of the monsters, he must guide Sam to safety without any weapons to protect them.

    The journey changes Andrew: from a selfish photographer to a selfless knight. He is gallant and kind, e.g., replacing Sam’s bandages, kissing her hand, and standing guard while she sleeps. Sam looks to her knight for guidance, asking him, “Are you sure about this?” and follows his lead when he tells her, “Let’s get back on the boat.” When an alien kills the guards, Sam cries in terror, but Andrew holds her and comforts her. Sam is attracted to Andrew because he is chivalrous like a knight.  

    The romance between Andrew and Sam is like a medieval romance. As a damsel in distress, Sam needs a knight to protect her. Emotionally fragile and uncertain, she is attracted to Andrew because he is her opposite: emotionally stable and decisive. In the final scene, when their adventure is over, the royal maiden rewards her knight with a kiss.

    Notes

    1. Stacey L. Hahn, “The Motif of the Errant Knight and the Royal Maiden in the Prose ‘Lancelot’,” Arthurian Interpretations 3, no. 1 (Fall 1988): 11, http://www.jstor.org/stable/27868646