• hunger_games_mockingjay__part_one_high-definition-mockingjay1-posterIn Francis Lawrence’s The Hunger Games: Mockingjay – Part 1 (2014) Katniss Everdeen (Jennifer Lawrence) is unwilling to become the Mockingjay: the symbol for the rebellion. An important theme in the film is the morality of war. When a government murders and enslaves its own citizens, armed rebellion against that government is morally justified.

    Katniss does not want to be the symbol for the rebellion for two reasons: She is angry that the rebels did not rescue Peeta Mellark (Josh Hutcherson), and there is nothing personally at stake for her in the fight. Her mother and sister are safe; she does not know if Peeta is dead or alive; and she appears to be suffering from post traumatic stress disorder. Katniss has neither the emotional strength nor the desire to be the Mockingjay.

    Unless we are emotionally moved by other people’s suffering, we are unlikely to take action to help them. Plutarch Heavensbee (Phillip Seymour Hoffman) understands this when he tells President Alma Coin (Julianne Moore) that Katniss needs to “see what the Capitol did to 12.” Plutarch wants Katniss to witness the aftermath of the bombing because he knows the emotional impact it will have on her. She agrees to go to District 12 and is shocked by the death and destruction, falling to the ground in anguish. After seeing the human remains of thousands of innocent civilians, her heart is changed.

    Katniss’s motivation to fight against President Snow (Donald Sutherland) is strengthened further when she learns that Peeta is alive. On a television talk show, Peeta calls for a cease fire, but Katniss understands that peace with Snow is not possible: “There can’t be a cease fire, not after everything Snow has done.” After negotiating with Coin for Peeta’s rescue and pardon, Katniss agrees to become the Mockingjay. She now has something personally at stake in the fight against the Capitol: saving Peeta’s life.

    The rebellion against Snow is justified because he is killing and enslaving the people of Panem. When he bombs a hospital, Katniss realizes the nature of his evil: “He’s never going to stop.” The nature of evil is that it will not stop unless it is resisted. After the hospital is destroyed, Katness addresses Snow and the Capitol in a video: “If we burn, you burn with us.” The evil committed by Snow motivates Katniss to become more than a symbol; she actively joins the fight.

    What Mockingjay Part 1 says about war is relevant to events in the world today. The rebellion against the Capitol parallels the current war against the Islamic State in Iraq and Syria (ISIS). With Snow, there are only two options: submit to his rule or be destroyed. Similarly, ISIS leaves its victims with only two options: convert to their version of Islam or be killed. According to a UN report, “over 24,000 Iraqi civilians have been injured or killed by ISIS in the first eight months of 2014.”1 However, the limited military response—a campaign of air strikes—will not be enough to defeat the terrorist organization. Unfortunately, there is no political will among the American-led coalition to send soldiers to fight ISIS. Western leaders are emotionally impacted by the deaths of innocent civilians in Iraq and Syria, but there is nothing personally at stake for them in the fight.

    Mockingjay – Part 1 has an important message for pacifists: There is a time when war is justified. Peaceful protests are unlikely to lead to freedom in a country ruled by an oppressive dictatorship. If a dictator is killing unarmed civilians, it may take more than international outrage and economic sanctions to stop him. When diplomacy fails, war is sometimes the only way to achieve a lasting peace.

    Notes

    1. Samuel Smith, ” UN Report on ISIS: 24,000 Killed, Injured by Islamic State; Children Used as Soldiers, Women Sold as Sex Slaves,” Christian Post, October 9, 2014, http://www.christianpost.com/news/un-report-on-isis-24000-killed-injured-by-islamic-state-children-used-as-soldiers-women-sold-as-sex-slaves-127761/

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  • the-trollhunter-trolljegeren-troll-hunter.14179In André Øvredal’s Trollhunter (2010), a college film crew shoots a documentary about a man who hunts down and destroys trolls. The film can be interpreted as an allegory for four aspects of human nature: reason, hatred, courage, and cowardice.

    Thomas (Glenn Erland Tosterud) represents rationality and human reason. When Hans (Otto Jespersen) says that he hunts trolls, Thomas responds with disbelief: “You actually believe trolls exist?” Like doubting Thomas of the New Testament, Thomas only believes what he can see. Later, when he sees a three-headed troll in the forest, he is no longer a skeptic. He wants to go with Hans and film more trolls, to prove their existence to the world. Thomas stands for what can be measured and observed by science.

    Whereas Thomas is rational, the trolls are not. They hate human beings for no apparent reason, and they hate Christians most of all. Hans says the trolls can “smell the blood of Christian man”, so he empties a pail of “Christian man’s blood” on a bridge in order to lure one. In the climax of the film, Hans taunts the Jotnar by playing the song “What a friend we have in Jesus.” The song is anathema to the giant troll who roars and chases after him.

    Hans, who has no fear of the trolls, embodies fortitude, one of the four cardinal virtues.1 Thomas calls him a “superhero.” Before destroying the Jotnar, he stands face to face with the giant troll like David battling Goliath. In sharp contrast, Kalle (Tomas Alf Larsen) has a panic attack when he sees the Mountain Kings. Hans is a man of courage, while Kalle is a coward. They form a binary opposition, as do Thomas and the trolls.

    Although it cannot be proven definitively, it is possible that Hans is a Christian. When he pours out the pail of blood on the bridge, an obvious question is raised: Where did he get the Christian man’s blood? Unless it was provided by an unknown donor in the Troll Security Service, the blood must be his own. At the battle on the bridge, he wears a suit of armor like a medieval Crusader. Literally or symbolically, Hans is the lone Christian knight who takes a stand against the evil that threatens Norway.

    Notes

    1. Peter Kreeft, “Justice, Wisdom, Courage, and Moderation: The Four Cardinal Virtues,” Catholic Education Resource Centre, http://www.catholiceducation.org/en/culture/catholic-contributions/justice-wisdom-courage-and-moderation-the-four-cardinal-virtues.html