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Christopher John Lindsay

Short Stories, Film Essays, Playwright

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Category: 20th Century Films

20th Century Films Film Noir

Three Reasons Why Women Have An Affair: The Letter (1940)

by Christopher LindsayJuly 30, 2016September 23, 2018
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20th Century Films Horror

Three Aspects of Obsessive Love: Mad Love (1935)

by Christopher LindsayJanuary 10, 2016July 1, 2018
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20th Century Films

Three Reasons Why Women Love Older Men: Dead Calm (1989)

by Christopher LindsayOctober 31, 2015April 3, 2024
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20th Century Films

To Honor vs. Dishonor: Run Silent Run Deep (1958)

by Christopher LindsayOctober 4, 2015August 18, 2018
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20th Century Films

What it Means to be Judgmental: Separate Tables (1958)

by Christopher LindsayJune 27, 2015April 25, 2021
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20th Century Films Film Noir

The Nature of Evil: Touch of Evil (1958)

by Christopher LindsayMay 21, 2015July 1, 2018
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20th Century Films Film Noir

The Ethics of Consequentialism: On Dangerous Ground (1951)

by Christopher LindsayApril 28, 2015July 1, 2018
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20th Century Films

The Absurd Nature of of Greed: Goldfinger (1964)

by Christopher LindsayDecember 31, 2014December 14, 2018
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20th Century Films

Obsessive Love: Romeo and Juliet (1968)

by Christopher LindsayOctober 27, 2014January 17, 2019
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20th Century Films

Why Older Men and Younger Women Fall in Love: The World of Suzie Wong (1960)

by Christopher LindsayMay 14, 2014December 15, 2018
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20th Century Films Film Noir

The Pursuit of a False Dream: Scarlet Street (1945)

by Christopher LindsayMarch 26, 2014September 16, 2018
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20th Century Films

The Madness of Appeasement: Séance on a Wet Afternoon (1964)

by Christopher LindsayMarch 22, 2014January 19, 2019
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Recent Posts

  • Who is the Main Protagonist? The Body Snatcher (1945)
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Categories

  • 20th Century Films (43)
  • 21st Century Films (30)
  • Essays (12)
  • Film Noir (11)
  • Horror (12)
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  • Poetry (6)
  • Screenplays (9)
  • Short Stories (9)
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Christopher John Lindsay

Short Stories, Film Essays, Playwright

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